Canadian pianist Jaeden Izik-Dzurko celebrates his triumph at the Leeds Competition with a stylish and imaginative first recording. However, back-tracking, such success was clouded by a competition beset with unwanted and indeed absurd political interference. For the Leeds CEO, Fiona Sinclair sexual inequality is rife in the competition scene and according to an article in The Guardian she insisted on the jury undergoing 'training' in an awareness of such inequality. She writes of that 'poignant' moment when the five all-male finalists were announced and continues, suggesting zero musical knowledge, that the situation is 'complex.' But it is not complex; it is simple. As a critical colleague aptly put it, there is only one criterion and that is 'merit.' That Fiona Sinclair's 'training' was accepted rather than rejected by the jury tells you that what was once referred to as 'the Leeds' has lost all credence. Until its officers are replaced with informed and responsible musicians it can no longer be taken seriously.
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And so, to Jaeden Izik-Dzurko whose way with Chopin's First Scherzo is formidable indeed, his shot-from-guns virtuosity more than apt for one of the composer's most ferocious and audacious works. But whether you consider the opening clarion call to attention, the following zig-zag flame or the central conciliatory setting of the Polish carol, 'Sleep, little Jesus,' the performance is never less than characterful and commanding. In two Ligeti Etudes, 'Autome a Varsovie' and 'Arc-en-ciel' Dzurko draws you in with the vividness and immediacy of his playing. Very much the master-pianist, his focus and concentration are unfaltering.
Finally, Ravel's 'Miroirs' where once again Dzurko can make others sound casual and slip-shod in comparison. Alborada del gacioso.' in particular. Is a gift for a pianist of such assurance and aplomb, evoking snapping guitars and with repeated notes reeled off with cut-glass precision. This morning jester is a fierce and formidable braggart, not to be trifled with.
Controversy may have surrounded Izik- Dzurko's success and it will be interesting to hear him when his briliant competition winning qualities are complemented by a higher degree of warmth and personal engagement. He is certainly not, a one writer put it, 'vin ordinaire.'
Bryce Morrison